Report

Global Music Market and Streaming Services Market Size study & Forecast, by Service (Live Streaming, On-demand Streaming), Platform (Browsers, Apps), Content Type (Video, Audio), End Use (Commercial, Individual) and Regional Analysis, 2022-2029

  • Publish Date: Jan,2023
  • Report ID: 3-6-1248
  • Page : 200
  • Report Type : PDF (Email)
Table of Contents
Chapter 1. Executive Summary
1.1. Market Snapshot
1.2. Global & Segmental Market Estimates & Forecasts, 2019-2029 (USD Billion)
1.2.1. Music Market and Streaming Services Market, by Region, 2019-2029 (USD Billion)
1.2.2. Music Market and Streaming Services Market, by Service, 2019-2029 (USD Billion)
1.2.3. Music Market and Streaming Services Market, by Platform, 2019-2029 (USD Billion)
1.2.4. Music Market and Streaming Services Market, by Content Type, 2019-2029 (USD Billion)
1.2.5. Music Market and Streaming Services Market, by End-Use, 2019-2029 (USD Billion)
1.3. Key Trends
1.4. Estimation Methodology
1.5. Research Assumption
Chapter 2. Global Music Market and Streaming Services Market Definition and Scope
2.1. Objective of the Study
2.2. Market Definition & Scope
2.2.1. Scope of the Study
2.2.2. Industry Evolution
2.3. Years Considered for the Study
2.4. Currency Conversion Rates
Chapter 3. Global Music Market and Streaming Services Market Dynamics
3.1. Music Market and Streaming Services Market Impact Analysis (2019-2029)
3.1.1. Market Drivers
3.1.1.1. Rising penetration of electronics and smart devices
3.1.1.2. Availability of regional content on digital platforms
3.1.2. Market Challenges
3.1.2.1. Threat from pirated channels
3.1.3. Market Opportunities
3.1.3.1. Rising integration of state-of-the-art technologies into music streaming platforms
3.1.3.2. Growing public inclination and internet proliferation
Chapter 4. Global Music Market and Streaming Services Market Industry Analysis
4.1. Porter's 5 Force Model
4.1.1. Bargaining Power of Suppliers
4.1.2. Bargaining Power of Buyers
4.1.3. Threat of New Entrants
4.1.4. Threat of Substitutes
4.1.5. Competitive Rivalry
4.2. Futuristic Approach to Porter's 5 Force Model (2019-2029)
4.3. PEST Analysis
4.3.1. Political
4.3.2. Economical
4.3.3. Social
4.3.4. Technological
4.4. Investment Adoption Model
4.5. Analyst Recommendation & Conclusion
4.6. Top investment opportunity
4.7. Top winning strategies
Chapter 5. Risk Assessment: COVID-19 Impact
5.1. Assessment of the overall impact of COVID-19 on the industry
5.2. Pre COVID-19 and post COVID-19 Market scenario
Chapter 6. Global Music Market and Streaming Services Market, by Service
6.1. Market Snapshot
6.2. Global Music Market and Streaming Services Market by Service, Performance - Potential Analysis
6.3. Global Music Market and Streaming Services Market Estimates & Forecasts by Service 2019-2029 (USD Billion)
6.4. Music Market and Streaming Services Market, Sub Segment Analysis
6.4.1. Live Streaming
6.4.2. On-demand Streaming
Chapter 7. Global Music Market and Streaming Services Market, by Platform
7.1. Market Snapshot
7.2. Global Music Market and Streaming Services Market by Platform, Performance - Potential Analysis
7.3. Global Music Market and Streaming Services Market Estimates & Forecasts by Platform 2019-2029 (USD Billion)
7.4. Music Market and Streaming Services Market, Sub Segment Analysis
7.4.1. Browsers
7.4.2. Apps
Chapter 8. Global Music Market and Streaming Services Market, by Content Type
8.1. Market Snapshot
8.2. Global Music Market and Streaming Services Market by Content Type Performance - Potential Analysis
8.3. Global Music Market and Streaming Services Market Estimates & Forecasts by Content Type 2019-2029 (USD Billion)
8.4. Music Market and Streaming Services Market, Sub Segment Analysis
8.4.1. Video
8.4.2. Audio
Chapter 9. Global Music Market and Streaming Services Market, by End-Use
9.1. Market Snapshot
9.2. Global Music Market and Streaming Services Market by End-Use Performance - Potential Analysis
9.3. Global Music Market and Streaming Services Market Estimates & Forecasts by End-Use 2019-2029 (USD Billion)
9.4. Music Market and Streaming Services Market, Sub Segment Analysis
9.4.1. Commercial,
9.4.2. Individual
Chapter 10. Global Music Market and Streaming Services Market, Regional Analysis
10.1. Music Market and Streaming Services Market, Regional Market Snapshot
10.2. North America Music Market and Streaming Services Market
10.2.1. U.S. Music Market and Streaming Services Market
10.2.1.1. Service breakdown estimates & forecasts, 2019-2029
10.2.1.2. Platform breakdown estimates & forecasts, 2019-2029
10.2.1.3. Content Type breakdown estimates & forecasts, 2019-2029
10.2.1.4. End-Use breakdown estimates & forecasts, 2019-2029
10.2.2. Canada Music Market and Streaming Services Market
10.3. Europe Music Market and Streaming Services Market Snapshot
10.3.1. U.K. Music Market and Streaming Services Market
10.3.2. Germany Music Market and Streaming Services Market
10.3.3. France Music Market and Streaming Services Market
10.3.4. Spain Music Market and Streaming Services Market
10.3.5. Italy Music Market and Streaming Services Market
10.3.6. Rest of Europe Music Market and Streaming Services Market
10.4. Asia-Pacific Music Market and Streaming Services Market Snapshot
10.4.1. China Music Market and Streaming Services Market
10.4.2. India Music Market and Streaming Services Market
10.4.3. Japan Music Market and Streaming Services Market
10.4.4. Australia Music Market and Streaming Services Market
10.4.5. South Korea Music Market and Streaming Services Market
10.4.6. Rest of Asia Pacific Music Market and Streaming Services Market
10.5. Latin America Music Market and Streaming Services Market Snapshot
10.5.1. Brazil Music Market and Streaming Services Market
10.5.2. Mexico Music Market and Streaming Services Market
10.6. Rest of The World Music Market and Streaming Services Market
Chapter 11. Competitive Intelligence
11.1. Top Market Strategies
11.2. Company Profiles
11.2.1. Tidal
11.2.1.1. Key Information
11.2.1.2. Overview
11.2.1.3. Financial (Subject to Data Availability)
11.2.1.4. Product Summary
11.2.1.5. Recent Developments
11.2.2. SoundCloud Limited
11.2.3. Spotify AB
11.2.4. Google LLC
11.2.5. Tencent Music Entertainment Group
11.2.6. Apple, Inc.
11.2.7. Pandora Media, Inc.
11.2.8. Deezer
11.2.9. Amazon.com, Inc.
11.2.10. QTrax
Chapter 12. Research Process
12.1. Research Process
12.1.1. Data Mining
12.1.2. Analysis
12.1.3. Market Estimation
12.1.4. Validation
12.1.5. Publishing
12.2. Research Attributes
12.3. Research Assumption